The exhibition will be seen in outdoor Segliņa industrial designs, created between 1981 and 1989, w

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From the idea to the industrially produced porcelain items we go a long way. In this way both the various obstacles encountered, and creative satisfaction - it can also stop halfway, but the pass is every designer's dream. bathroom mirrors
The exhibition will be seen in outdoor Segliņa industrial designs, created between 1981 and 1989, working in Riga porcelain factory. Author influenced bathroom mirrors by the constructivist school, as well as Scandinavian and Japanese designers. The main principles are formveides functionality and ergonomics, deliberately without gold trim and rich decoration. The excellent examples developed using existing technology Riga porcelain factory, however, was not implemented in production. bathroom mirrors It denied that time large volumes of production and technological powerlessness, as well as an unwillingness to change.
The innovation process in the exercise of their ideas, the artist's main efforts are aesthetic quality, while the designer is primarily bathroom mirrors functionality. Art and design different tasks seems clear, however, the boundary between art work of design and artistically high-quality design bathroom mirrors objects it is sometimes so narrow that the discussion of art and design separation, juxtaposition and mutual influence is always up to date.
On the view that "design is not art", and vice versa have still not agreed even art history specialists, however, the author Aris Segliņš says that for this exhibition works (factory-makers for products intended for designs), this claim may be accepted as correct.
Aris Segliņš is one of the most prominent Latvian contemporary designers working with porcelain. bathroom mirrors Design based on the author mastered the Latvian State Academy of Art, but practical skills complemented bathroom mirrors and improved working Riga porcelain factory. Participation in exhibitions started in 1984 "Art Days" in Riga. 84 / 85th-made trays "Footprints" by exhibitions in Russia and Poland were reviewed in Polish magazine "Projekt". Diploma "Cookware" won the top award at the exhibition "Design in everyday life", Riga 1987.
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